Music in St Giles'

With a professional quartet of singers at services, regular concerts in the Church, three outstanding pipe organs, a Steinway grand piano and its use for recording sessions and broadcasts, music is a major part of the life of the Church. Since 1992 this church has been the headquarters of a major movement to recruit and train organists; lessons and classes in organ playing for all ages continue here throughout the year.

Sundays in November 2018

 

November 4th   All Saints

10 a.m. PARISH EUCHARIST                         

Service by Ives

Common Worship

CHOIR GRADUAL Bainton  And I saw a new heaven

CHOIR COMMUNION Purcell Thou knowest, Lord

PSALM 24. 1-6 with chant 143

ORGAN PRELUDE  Karg-Elert  Freu dich sehr, o meine Seele

ORGAN POSTLUDE Bach Fantasia in G minor BWV 542

HYMNS  216 San Rocco; 54 Londonderry Air; 232 Sine Nomine

 

November 11th Remembrance Sunday

10 a.m. PARISH EUCHARIST                         

Service by Ives

Common Worship              

CHOIR GRADUAL Carter Prayer of Peace

CHOIR COMMUNION Guest For the fallen

ORGAN PRELUDE Elgar  Nimrod

ORGAN POSTLUDE Sibelius (arr. Fricker)  Finlandia

HYMNS 413 Melita; 598 Corvedale; 384 Finlandia; 537 St. Anne

   

November 18th Second Sunday before Advent

10 a.m. PARISH EUCHARIST                         

Service by Ives

Common Worship              

CHOIR GRADUAL Howells O Pray for the Peace of Jerusalem

CHOIR COMMUNION Walker I will lift up mine eyes

PSALM 16 with chant 87

ORGAN PRELUDE Archer Adoro te, devote

ORGAN POSTLUDE Böhm  Praeludium in A minor

HYMNS 368 Michael; 329 Ellers;  563 Gopsal

 

November 26th Sunday next before Advent

10 a.m. PARISH EUCHARIST                       

Service by Ives

Common Worship            

CHOIR GRADUAL Vaughan Williams Let all the world

CHOIR COMMUNION Tye Once, only once

PSALM 93 with chant 55

ORGAN PRELUDE JS Bach Schmücke dich, o liebe Seele BWV 654

ORGAN POSTLUDE Salomé Grand Chœur

HYMNS 369 Old 100th; 295 Schmücke dich; 466 Coe Fen

 

 

 

 

The Director of Music

Anne Marsden Thomas (Director of Music)

Anne has been Director of Music at St Giles' since 1980. She founded St. Giles International Organ School in 1992 and directed it until January 2012 when it became part of the education programme of RCO Academy. For many years she also directed the annual RCO Academy Summer Course for Organists in the City of London which regularly attracted 60-75 students from around the world. She is widely known for her work as organ teacher, concert organist and church musician. Her concert and teaching work has taken her to the USA, Japan, Europe and all over the UK, and she has made several commercial recordings. She has written and edited many books for organists, published by Oxford University Press, Cramer Music and the Royal School of Church Music. She has wide experience of examining grade examinations and diplomas. As well as teaching students of all standards, Anne enjoys training organ teachers.

Elizabeth Day (Organist)  

Elizabeth was educated in Scotland and attended Dundee University where she read mathematics as well holding the post of Assistant Organist of Dundee Cathedral. After graduating she trained as a primary school teacher and has taught in schools in Dundee, Edinburgh and Switzerland.

Whilst working in Edinburgh, she started taking organ lessons with Anne Marsden Thomas.  She has given many solo recitals including at Oxford Town Hall, St Giles' Cathedral, Edinburgh, and Lichfield Cathedral as well as at several churches in London. 

She lives in South London with her husband and daughter.

John Zhang (Organ Scholar)

John attends the City of London School and lives in Wapping with his parents and young sister.  He has played the organ for three years, recently gaining 141 out of 150 in his Grade 6 ABRSM exam; he is now a student at the Junior branch of the Royal Academy of Music, studying under Frederick Stocken and Anne Marsden Thomas.  He hopes to gain an organ scholarship to Oxford or Cambridge.

The Choir

The professional vocal quartet sings two anthems and leads the congregational singing at the Sunday morning service. The choir is also available for special services (weddings, funerals, memorials, livery and carol services).

Thomas Kennedy (bass)

Previously a choral scholar at New College, Oxford, Thomas taught maths before returning to postgraduate study at the GSMD, where he won the English Song Prize. Since graduating with distinction in 2009,

Highlights of his concert work include The Messiah with the Cyprus Symphony Orchestra, Iain Burnside's song project The lads in their hundreds at Kings Place and on BBC Radio 3, in which his contribution was singled out by Opera Now as 'a tour de force', and Ives' General William Booth enters the Kingdom of Heaven with Sir Andrew Davis and the BBCSO at the Barbican Hall. Tom is a consummate musician; his ability to lead or blend as required makes him a valued member of the quartet.

Rosie Midgley (mezzo-soprano)

Born and educated in Cambridge, Rosie read music at Bristol university, and graduated with a Masters in Performance from York university in 2009.

She sings regularly with Musica Secreta an Aurora Nova, and recent operatic roles have included Sorceress (Dido and Aeneus), Flilpyevna (Eugene Onegin) and Erda (Das Rheingold). She has performed as a soloist with Northern Sinfonia, The Scottish Ensemble, Horologue and The Valentin Baroque Players at venues and festivals in the UK and abroad, and performs regularly in recital.

She has recorded for film and television at Abbey Road, Maida Vale and Air Studios, as well as many CD recording projects. She was the featured soloist on the soundtrack to David Starkey's acclaimed Elizabeth and Monarchy series (Channel 4). She continues her studies with American born mezzo-soprano Jenny Miller. Rosie’s rich voice makes a vivid contribuation to the vocal quartet. 

Penny Sharpe (soprano)

Penny Sharpe was born in Tasmania where she trained at the Conservatorium. After singing in the Lyric Opera Company, Brisbane, she joined the Song Company (an a capella ensemble specialising in early and contemporary music) in Sydney. With the Song Company she was involved in festivals, concerts, recordings, children's concerts and live broadcasts on national radio, plus tours of South Korea and New Zealand and throughout Australia. Currently she earns a regular salary working in market research, primarily in wine and spirits, while taking professional singing engagements on a part-time basis. Her clear, warm voice is supported by a flawless technique and perfect intonation

Robin Whitehouse (tenor)

Robin Whitehouse studied voice and horn for a year at the Royal College of Music before reading maths at Oxford University. Whilst at Oxford he sang and played with all the major university choirs and orchestras, and continued to sing with the choir of St Mary the Virgin (the University church) until taking up his post at St Giles.

Operatic roles have included Alfredo (La Traviata), Abinadab (world premiere of Sam Hogarth’s David and Goliath with New Chamber Opera and most recently Prince Ramiro (La Cenerentola).

Solo engagements have included Evangelist in Bach’s Passions, Mendelssohn’s Elijah and Britten’s Serenade, Nocturne and St Nicolas, as well as Strauss’s 2nd Horn Concerto and Bach’s Brandenburg Concerto No.1. He was recently invited to take part in a public masterclass on Mahler songs with the Oxford University Orchestra, taken by Ian Bostridge. He currently studies with Ann de Renais.Robin has an extraordinary dynamic range throughout his wide vocal compass. 

The Organs

There are three organs at St Giles'.  The grand organ and the chancel organ are in the body of the church; the practice organ is in the vestry. 

The Grand Organ 

The Grand Organ, mounted on a gallery, has three manuals, a radiating/concave pedalboard, mechanical action, 39 speaking stops, balanced Swell pedal and a full range of modern accessories including a sequencer. This organ is ideal for solo work, and for accompanying musicians in the west gallery. Organ history: Jordan & Bridge 1733, Willis 1872, Jones 1902, Mander 1970. It was cleaned and restored in Autumn 2008.

 

Specification:

.

GREAT
Double Open Diapason 16
Open Diapason 8
Stopt. Diapason 8
Principal 4
Flute 4
Twelfth 2 2/3
Fifteenth 2
Larigot 1 1/3
Mixture lll
Fourniture lV-Vl
Mounted Cornet V
Trumpet 8
Clarion 4
Great Reeds on Choir
Swell to Great 

 

SWELL (enclosed)
Open Diapason
Stopt. Diapason 8'
Viola 8
Principal 4
Fifteenth 2
Mixture lll
Contra hautboy 16
Cornopean 8
Clariaon 4
Tremulant

 

PEDAL
Open Diapason 16
Bourdon 16
Octave 8
Flute 8
Gemshorn 4
Mixture lll
Trombone 16
Trumpet 8
Swell to Pedal
Choir to Pedal

 

CHOIR (unenclosed)
Stopt. Diapason 8
Dulciana 8
Principal 4
Nason Flute 4
Nazard 2 2/3
Spitz Flute 2
Tierce 1 3/5
Mounted Cornet V (from Great)
Cymbel lll
Cremona 8
Tremulant
Swell to Choir

 

COMPASS
Key compass C to a3 (58 notes)
Pedal compass C to f1 (30 notes) Radiating Concave

 

ACCESSORIES
8 general pistons, arranged above the Swell manual, with 16 memories
5 department pistons to Swell, Great, Choir.
5 combination pedals to Pedal department (right of centre)
5 combination pedals to Swell department (left of centre)
All couplers available as reversible pistons
Swell to Great, Great to Pedal also available as reversible coupler pedals
Rocker switch for Great and Pedal Combinations Coupler,
Rocker switch for Generals on Swell Combination Pedals
Independent sequencer, with three 'Next' pistons, one 'Next' pedal, and one 'Back' piston General cancel piston
Fully adjustable bench
Independent lights for manuals and pedals.

 

Mechanical action to manuals and pedals, with electrical stop action and electrical assistance on Swell to Great.

 

The Chancel Organ 

The chancel organ was installed 2008, has two manuals, a straight/concave pedalboard, mechanical action, 15 speaking stops, a balanced Swell pedal and a full range of modern accessories including generals and a stepper. This organ is ideal for accompanying musicians on the large chancel, to which it is adjacent.  There are unique carvings on the woodwork

 

Specification:

 

GREAT
Open Diapason 8
Stopped Diapason 8
Principal 4
Fifteenth 2
Mixture IV 11/3
Trumpet 8
Swell to Great

 

SWELL
Gedackt 8
Principal 4
Chimney flute 4
Recorder 2
Sesquialtera II 22/3
Oboe 8
Tremulant

 

PEDAL
Bourdon 16
Principal 8
Trumpet 8

Great to Pedal
Swell to Pedal

 

COMPASS
Key compass C to a3 (58 notes)
Pedal compass C to f1 (30 notes) Straight Concave

 

ACCESSORIES
6 divisional pistons/toe pedals and 8 general pistons served by 66 memories
Stepper
Gt and Ped combinations coupler
Generals on Swell toe pistons
Adjustable toe pedal to give Swell to Pedal/Stepper Advance/Stepper Reverse
Fully adjustable bench

 

DISABLED-FRIENDLY FEATURES
Adjustable music stand
Talking stops device
Rings on the stop shanks to aid identification of tonal families

 

Mechanical action to all departments

The Practice Organ

Organ by Kenneth Tickell 2008 situated in the church office. For the exclusive use of RCO Academy Organ School students. Please email AMT@organschool.com for details of how to book and pay for practice on this organ.

 

Specification:

 

MANUAL I (LOWER)
Stopt. Diapason 8
Principal 4

 

MANUAL II (UPPER)
Chimeny Flute 8
Spitz Flute 4

 

PEDAL
Open Flute 8

 

TOE PEDALS
Tremulant
Manual 1 to Pedals.

 

Direct suspended action to the upper manual.
Balanced action to the lower manual.

 

COMPASS
Key compass C to a3 (58 notes)
Pedal compass C to f1 (30 notes) Straight Concave

 

DISABLED-FRIENDLY FEATURES
A single ridge on the stop shank to identify the Principal stop by touch.
An adjustable bench with an exceptionally wide range of positions.

The Steinway B Grand Piano

We have a beautiful and well-maintained Steinway B Grand Piano.  If you would like to use this piano please contact the parish administrator, Diana Corbin.

The Bells

There is a ring of twelve bells hung for change ringing with a tenor weighing 34cwt and tuned to C-sharp. They are augmented by a sharp-second which provides a light ring of eight, tenor 11cwt in G-sharp. Full details of these bells, and their predecessors, are published at http://london.lovesguide.com/giles_cripplegate.htm. Ringing is arranged by the Ancient Society of College Youths and details are on their website http://www.ascy.org.uk/act_services.php. Visiting ringers are very welcome. To arrange a visit please contact the Tower Secretary Gwen Rogers.

New Gudgeons for St Giles’ Bells November 2017

The old bells of St. Giles’ were destroyed in a WW2 incendiary raid on the 29th. December 1940. The cracked remnants lay at the bottom of the tower until 1949 when the war was over, and they could be moved    Whitechapel Foundry workers with the surviving bells and metal in 1949.

In 1954 a completely new ring of twelve bells was installed in the tower.

After more than sixty years moving parts are wearing out and must be replaced before they break. Three bells were leaking grease from their bearings which is a sign of a severely worn or even a cracked gudgeon. “What are gudgeons?” PCC members asked when the bell ringers requested permission and financial support for replacement.  An explanation that “they are metal pins from which a bell hangs and which rotate in bearings mounted on a frame attached to the tower walls” did not convey much information. The following labelled picture of a bell would have helped.

If a gudgeon breaks the bell will fall, smashing into its wheel or frame. Where it lands is unpredictable and how much damage it does on the way equally so. Look again at the bells in the post-war photograph above!

 

Convinced that the work was necessary the PCC agreed to pay half of the bill and the rest was funded by a grant from the Ancient Society of College Youths (ASCY) (www.ascy.org.uk).

 

Work commenced in November 2017 when the three bells were lowered to the belfry floor, their wheels were removed and the headstocks with gudgeons and bearings attached were winched to the church floor for transit to Whites of Appleton (www.whitesbellhangers.co.uk). Six weeks later the process was reversed. Bright blue headstocks with brand new gudgeons and bearings were winched back up the tower and the three bells rehung.

The work was done by a team of volunteers, all ringers, including members of the Middlesex Association Spanner Club (http://www.bellringing.london/) and St. Giles’ own steeple keeper, Terry Streeter. They were led by James Haseldine one of the Whites’ Bell Hangers.

Headstock (blue) being lowered into place above the 8th. bell after being winched on chains from the church floor.

With thanks to all involved especially the PCC and ASCY for funding and the volunteer bell hangers for several days’ hard labour.

 

Gwen Rogers

Tower Secretary                                     Terry and the freshly rehung 9th. bell

St. Giles’ Cripplegate 

Where to visit us:-

St Giles' Cripplegate Church
Fore Street
London EC2Y 8DA

 

Registered Charity               Number 1138077

Services and church  opening hours

08.00   Holy Communion (First Sunday in the month)

10.00   Parish Eucharist
16.00   Evening Prayer

Evening Prayer may be cancelled on the Sunday after Christmas and on Easter Day or during August. The service may  also be cancelled if no key holder is available or it may take place in the rectory instead.

 

Weekdays

08.30 Morning Prayer (Monday-Thursday)

 

Monthly Private Prayer and Reflection 

These sessions are held on the first Thursday of the month., from 13.00-13.30.

Future Dates,                              13 December

 

Cleaning Angels 

These sessions are normally held on the first Thursday of the month from 13.30-15.00. Some gentle cleaning and tea and cakes at the end.

Future Dates,                               13 December

The church is normally open from 11.00-16.00 Monday to Friday.

 

Dates of future PCC meetings in church at 19.30

Tuesday 20 November

 

Parish Office Opening Hours

Mon-Fri 10.00-16.00

Tel: 020 7638 1997

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